John Heskett aims to transform the way readers think about design by showing how integral it is to our daily lives, from the spoon we use to eat our breakfast cereal, and the car we drive to work in, to the medical equipment used to save lives. This concise guide to contemporary design goes beyond style and taste to look at how different cultures and individuals personalize objects. Heskett also reveals how simple objects, such as a toothpick, can have their design modified to suit the specific cultural behaviour in different countries. Finally, the author gives us an exciting vision of what design can offer us in the future, showing in particular how it can humanize new technology.
A John Heskett Reader brings together a selection of the celebrated design historian John Heskett's key works, introduced and edited by Clive Dilnot of Parsons, the New School, USA. Heskett, who passed away in early 2014, was a pioneering British-born writer and lecturer. His research was foundational for the study of industrial design, and his research into the relationship between design, policy and economic value is still a regular reference-point for academics and students alike. This anthology represents well the great range of his work, covering such varied topics as the growth of Japanese industrialism, modernism in the Third Reich, and 1980's corporate design management. Including bo...
John Heskett was a pioneering British design historian, with a particular interest in design and economics. Design and the Creation of Value' publishes for the first time his groundbreaking seminar on design and economic value. In remarkably clear and accessible prose Heskett explores the how the key traditions of economic thought conceive of how value is created. Critically teasing out the role of design in this process, Heskett shows how design's role in innovating and creating value creating value for organisations and products can be given a firm grounding in economic theory. Featuring examples of businesses which have successfully responded to the value of design in their practice, as well as others who have failed because of their inability to understand value-creation, Heskett looks in detail at the relationship between producers, markets, products and consumers, using these instances to offer a both a strong critique of the limitations conventional economic thought and new model of the economic importance of design thinking in value creation.
A new approach to design traces its role throughout history, focusing on the special relationship between people and objects, and examines the role of design in architecture, multimedia, computers, software, and government.
Japan 2000: Architecture and Design for the Japanese Public has been written by Japanese and American architects and designers. In a series of in-depth essays, this lavishly illustrated book presents the architectural and design era of the post-boom 1990s in Japan to a Western audience for the first time. The architecture section focuses on the rapidly expanding public building sector in Japan today. Using some of the most spectacular examples as a basis for their analysis, the authors examine the Japanese government's role in architecture as well as the historical background of postwar building.
Traces the historical evolution of industrial design by examining the works of individual designers and the social, economic, cultural, and technological forces that influenced the design of items from glassware and furniture to automobiles and tanks